For the next few weeks, Cara Baldwin will exert total editorial control over this site.
Baldwin is an artist, writer, researcher and theorist whose work focuses on militant art practice, public art, and intersections of cultural production and political organizing. She is currently a PhD candidate in the Department of Visual Arts: Art History, Theory, Criticism and Practice at UCSD and a 2001 graduate of CalArts MFA program. A recipient of the Soros Foundation Open Society Grant for the establishment of the Los Angeles Independent Media Center, Ms. Baldwin is also a founding member and former editor of the Journal of Aesthetics & Protest editorial collective whose activities include the a print and online publication, Journal Press, a public lecture series, curatorial work, public art projects, and activist organization. With the editorial collective of the Journal, Baldwin has contributed to TRANSITOry PUBLICO | PUBLIC TRANSITorio and The Political Equator, Civic Matters, Los Angeles Contemporary Exhibitions, Los Angeles; Fine Print: Alternative Media, P.S.1, New York; Atlas Project, Pist Prota, Copenhagen, Denmark; and the documenta 12 Magazine Project Archive, Kassel, Germany. She has also presented work in museums, universities, art colleges the international Mexico City Book Fair, A Los Angeles Llegaron y por Hollywood se Pasearon. She recently participated in The Performing Archive-Restricted Access, an exhibition by Suzanne Lacy and Leslie Labowitz. Her work was published in the periodicals pros*, Bedwetter, InterReview, and MAKE_shift, as well as exhibition catalogues for Poetics of the Handmade, The Museum of Contemporary Art, Los Angeles, and Kiss Kiss Bang Bang. 45 years of Art and Feminism, Bilbao Fine Arts Museum. Through her work in MOCA’s Curatorial department she contributed to the realization of several exhibitions of contemporary art including: WACK! Art and The Feminist Revolution, Poetics of the Handmade, and Black Panther: The Revolutionary Art of Emory Douglas. Current editorial collaborations include an anthology of writings with Orianna Cacchione and corresponding lecture series Public Culture in the Visual Sphere lecture at UCSD and Beyond the UC Strikes, Continental Drift. She is also currently collaborating with artist and theorist Ginger Wolfe-Suarez on a series of writings specific to art criticism in Los Angeles over the past decade.Areas of expertise: Conceptual and Performance art; Latin American art; feminist art; relational art practices; artist and media collectives.
Beyond the UC Strikes, Continental Drift , The Public School
Public Culture in the Visual Sphere, UCSD
The Journal of Aesthetics & Protest
TRANSITOry PUBLICO | PUBLIC TRANSITorio