Categories
Features

The “Pepper Spray Incident” and the Inevitable Radicalization of the UC Student Body

Defense Technology 56895 MK-9 Stream, 1.3% Red Band/1.3% Blue Band Pepper Spray

When I watched Lt. John Pike and the University of California Davis Police Department violently attack our peaceful demonstration against social inequality and austerity on Friday, I was overwhelmed by the enormity of the situation.

There is no dearth of personal recollections of this weekend’s events circulating the internet as the “pepper spray incident” and Chancellor Linda Katehi’s “walk of shame” have made UC Davis the center of international attention and outcry. In light of this, it is more important to consider the implications of these events and what they mean for the growing global movement against social inequality. Particularly, it is important to recognize the historical importance of the past week’s profound radicalization of students in the UC system and across the nation. The entrance of an organized student movement into the current social situation has deep implications, and they should be considered as the movement goes forward.

The video that has now gone viral speaks volumes and there is no need to romanticize the moments in great detail. My friends and I were approached by a small army of thugs, who violently attacked some of the kindest, most intelligent, most caring people I have ever met. I was not as brave as my friends who made history by refusing to yield to the police goons, and I have to admit that after watching their bodies react, I do not regret falling back. I saw hard working, compassionate students and teachers violently vomiting, weeping, and holding each other as that disgusting orange goo ran down their teary faces. I saw hundreds of students pour out of classrooms and the library to come to our defense. I saw the police turn tail and flee after seeing the looks of fury in our eyes. I saw the looks in their eyes, too—looks of genuine fear. I’d never seen that before in a police officer’s eyes.

So, what role will California college students play in the Occupy movement? As the worldwide revolt against social inequality continues despite the deeply disturbing intentions of the wealthiest among us to suffocate the movement, the students now have an incredibly important role to play. With the original occupiers on the East Coast forced by the cold weather and brutal police raids to reclaim less visible, unused property, the West Coast is responsible for sustaining and building the movement until spring.

And UC and CSU students are ready to rise to the occasion. 10,000 of us gathered in Berkeley last Tuesday, 2,000 here in Davis on the same day, and an Occupy camp has been set up at UCLA. Hundreds of UC students converged in downtown San Francisco last week and succeeded in shutting down a Bank of America. CSU students forced the CSU Board of Trustees to secretly flee their original meeting spot before passing another round of fee increases. UC leadership cancelled the UC Regents’ meeting last week out of fear that it would be shut down by student protestors.

The participation of thousands of students across the state in the anti-Wall Street movement represents the rapid radicalization of California students, which in itself is indicative of the quick move to the left by millions of movement sympathizers. The radicalization of the students manifests itself on the busses, in the restaurants, and in the coffee shops on and around my campus, where discussion of political strategy dominates. Of course, these anecdotes mean relatively little—but the politicization of the student body is significant nevertheless. Though the process of politicization is experiencing its birth pangs, it is emotionally moving that the process has finally begun.

This radicalization must continue to be channeled into a starkly anti-capitalist political tendency. Objective material conditions are ensuring that liberal elements of the student body will be drowned out. This is a huge break from the Free Speech Movement of the mid-60s, and even from the anti-Vietnam War movement that followed. Youth unemployment in the United States is above 20% – higher than in some “Arab Spring” countries. We’ve seen the statistics about wealth inequality: the top 1% controls the same amount of wealth as the bottom 90%. Only 40% of college students graduate, and for those that do, they enter the workforce with an average debt-load just under $30,000.

And then what? A minimum wage Starbucks job at $8.50 an hour? Perhaps most importantly, though, is the current rollback of nearly every major social gain won by the working class since the 1930s. Even in the midst of the Vietnam War, after all, President Johnson’s “Great Society” at least recognized that social inequality existed and that the most impoverished Americans were worthy of minuscule levels of government support.

At least our parents got “Guns and Butter”. Now we’re stuck with just the guns.

Today, the contrasts couldn’t be starker. President Obama has escalated the war on the working class by continuing the decades-long trend of drastically slashing social services. In fact, Obama has promised to out-do the GOP in the race to see who can slash more services to deal with the massive debt our country has accumulated from years of war and tax breaks for the wealthy. He has proposed gutting services that tens of millions of Americans rely on for survival: Social Security, Medicare, SNAP, WIC, etc. The cynical Manipulator-in-Chief has invaded new countries, illegally murdered American citizens abroad, and expanded the War on Terror into Libya, Pakistan, Yemen, and Somalia.

I spent a year working as a volunteer on Barack Obama’s presidential campaign. I was drawn to his candidacy by his promises to serve “Main Street, not Wall Street”, to close Guantanamo Bay, to end the wars, to stop the mass deportation of undocumented families, and to roll-back the PATRIOT Act and the rest of the unconstitutional post-9/11 national security apparatus. I, like many in my generation, naively thought that a candidate that was backed by Wall Street could still make “change”.

Barack Obama has delivered on exactly none of these promises. In fact, the ruling class could hardly ask for a better leader. Corporate profits have soared during his presidency, as unemployment remains stiflingly high with no signs that the economy will add jobs at a rate quick enough to keep up with population gain. It makes me furious that the candidate to whom I dedicated a year of my life has turned on me. I take it very personally. I am not the only 21-year-old who feels this way. I also served the President’s political party for a year following his election. I was an elected delegate to the California Democratic Party, and was a staffer for a statewide Democratic campaign. But the Democratic Party is leading the attack on working people across America.
Democratic Governor, Jerry Brown, for example, seems like he’s trying to out-do Scott Walker in imposing austerity on the indigent and the young. Democratic mayors across the country are ordering riot police on their own peaceful protesters. In the bay area, “progressive” Democrats like Jean Quan and Ed Lee have ordered riot police to evict occupiers on multiple occasions. These liberal champions ordered police to beat Iraq War Veterans Scott Olson and Kayvan Sabehgi.

Today, no solution to the social crisis can be found through either of the two big-business parties. This is why the burgeoning student movement in California represents a great hope for the anti-capitalist position. In light of this, demands for Chancellor Katehi’s resignation should be considered only as a show of our power. In reality, even if we are to succeed in ousting Katehi,
her replacement would be no different.

We students can re-shape the future of public education in California only by abolishing the UC Regents, CSU Board of Trustees, and their respective police forces. Democratic student, worker, and faculty control of the entire decision-making process is needed to reverse the trends towards privatization, debt, and austerity.

And we should also remember that the crisis in higher education is a symptom of the crisis of capitalism. The American student movement of the late 60s, for example, failed to prevent the attack on the working class that has been carried out by Democrats and Republicans throughout the 70s, 80s, 90s, 2000s, and 2010s because it failed to self-consciously establish itself as a movement against capitalism.

This belies the issue of “no politics” that is such a popular refrain for liberals taking part in the Occupy movement today. “No politics” has been our strategy for 40 years, and look what it has gotten us! Back to UC Davis— I have read multiple accounts on the events of the past days that emphasize how UC Davis is a turning point for the Occupy movement. Images of the blatant police brutality and the powerful silence that met the Chancellor when she left her botched press conference have terrified and inspired millions. But this isn’t an unprecedented show of violence, and police brutality isn’t a new phenomenon. The events of the past days are a glimpse of reality, not a break from the past. Though it has taken a viral video to make this clear to many, it is an important fact to remember.

The images from Davis, Berkeley, Chapel Hill, New York, Oakland, Denver, and countless other cities and towns across the country have galvanized support for the movement and have even further embedded Occupy Wall Street as a facet of American political life. The images have also revealed democracy in America for just what it is: a façade.

In light of this, students at UC and across the country must prepare ourselves for the coming struggle. The police attacks will not abate—they will only grow in intensity. Our debt load will grow, unless we reject the concept of debt as required by capitalism. Fee hikes will continue until we reject the very idea of paying for school. We should fight for something radically different—a society where production is managed based on social need and human rights to housing, food, education, transportation, and physical security. One where our friends, brothers, sisters, and parents aren’t sent off to die in unnecessary wars. One where speculators and bankers are treated like the criminals they are.

The lines in the sand are being drawn on my campus and across the country. Students, ask yourselves: Which side are you on?

 

 [Point of clarification: I write this as an individual and in no way as a spokesperson for any group.]

Eric Lee is a 4th year undergraduate at the University of California, Davis.

Categories
Communiqués

Only the beginning…

David Graeber’s piece in The Guardian on the Wall Street Occupation situates what is happening there in terms of the imagination. How refreshing to be reminded in stark terms not only how capitalism crushes so many imaginations but also the conceptual force of refusal.  It also appears that a network is developing as the occupation movement spreads across the country. What this movement means and where it is going remains to be seen but it seems clear that this is only the beginning of something.

Categories
Features

Tolerance or Universality

In August 2010, The Guardian ran a graphic segment on female genital mutilation, which represented extremely violent imagery of victimized women and girls. The piece produced, however, a mix of fascination and guilt. The forewarning of “distressing and disturbing images” precedes a horror that only serves to titillate. The guilt emerges precisely because one wants to consume.[1] Why does such an emotional response occur? Or, more importantly, why do news segments on female genital mutilation always include filming strategies reminiscent more of Cannibal Holocaust than empathic reportage (given that there can be no neutrality)? The question, ostensibly a petty provocation, opens onto a more fundamental problem in contemporary politics. There is a shocking homology between the artillery of images, sound clips, and cultural strategies used in speaking of the various crimes in the global South and much simpler racist imagery. Since the former is, however, mobilized in the name of otherwise unassailable causes, mainstream liberals accept them without a thought while crusading against the world’s ills. It is held to be self-evident that education will save Afghanistan, microcredit loans will solve poverty and gender inequality, and the Democratic Party would be the bastion of the progressive forces if it weren’t for those meddling Republicans. The twin pillars upon which modern liberalism rests are “tolerance” toward “difference” and the “defense of victims”. A closer look at each shows them to support, at worst, the ideology of predatory capitalism and, at best, a strategic dead-end for left political action. An alternative conception of politics must be predicated around a notion of universality which unabashedly speaks of a new world. Such a politics would be predicated upon the oppressed asserting historical agency and not, as contemporary politics frames them, as degraded objects of Western pity.

The mirage of saccharine-sweet humanitarianism obfuscates the degree to which tolerance paradoxically resurrects old stereotypes within superficially unassailable causes. The common sense position has become so uncritically absorbed that even a Likudnik I met in Tel Aviv unwaveringly assured me he was “for tolerance” of the Palestinians, but Israel must continue occupation because it was the they who were intolerant. Indeed, Israel is a Weberian ideal in embodying the contradictions of tolerance. It incessantly speaks of its credentials as a liberal tolerant state but does so explicitly as a way to justify continued violence. That such an example is merely an extreme case does not change the fact that such politically sterile declarations of equality are continually accompanied by naked aggression.

Ironically, tolerance emerged in political thought as a progressive notion to end the religious bloodbaths of the 100 Years War.[2] Kant used a notion of the respect of difference to criticize European imperialism in favor of “hospitality.”[3] Descartes in his Discourse on the Method argued the prerequisite to rational thought was tolerance since one had to thoroughly disabuse one’s self of preconceptions before undertaking any meditation.[4]

Modern tolerance’s incoherence betrays itself once it moves from social contract to ideology. As an ideology, its logic is inherently relativistic. A truly democratic space would be one in which cultural particularities express themselves. Whereas previous centuries were marked by Eurocentrism or Christianity, liberal democracy will putatively accept all difference into the melting pot. Such an ideology is absolutely essential since liberalism merely provides the meta-framework by which actors relate—rule of law, private property, liberty, and (but not always) elections—but it does not provide a substantial social tie to ground the body politic. An ideology which allows each different constituent identity to express itself while not simultaneously destabilizing society in general is critical.

However, relativism reaches its impasse in the face of horrific crimes. It would be monstrous to claim that female genital mutilation, sati, or homophobia expresses modalities of cultural difference. The problem is, however, that there is no principled reason to reject those practices. If one accepts tolerance of the Other non-hypocritically, then one has to accept those practices. Indeed, the common defense of those practices exploits liberal rhetoric of choice, difference, and cultural colonization to defend abhorrent practices. The Assad regime dismissing Syrian protestors as American and Israeli dupes is merely the latest iteration of a long history in which postcolonial reaction co-opts the language of emancipation. As such, crimes can only enter the liberal consciousness as an Absolute Evil excluded from any and all rational explanation. The only way to negotiate the contradiction is, then, an arbitrary decision which is, of course, not arbitrary. It is informed by power politics parading as critical thought. The decision is one of sheer calculation between “good” culture and “bad culture” which determines value from without. Child soldiers emerge not only from poverty but the ersatz empowerment of the poor. That is, those who are brutalized take out their false empowerment in the most terrible ways. Instead of realizing the political constellation, this “humanitarian” discourse creates modern missionaries authorizing new forms of Western intervention. It is civilized to wait until 18 to go to war; the savage cannot wait that long. A framework which mediates problems politically—a universality in which politics retains its primacy over culture—is replaced by apolitical criminalization. In short, all that is left is the Darkness.

The inherent ethnocentrism of liberal tolerance becomes clear. It is not, as liberals like to accuse the anti-imperialist Left, that “we” think others are incapable of freedom, democracy, and human rights. Rather, it is only cosmopolitan liberals who have the privilege of moving rhizomatically through space—ironically playing with every culture. The numerous fictions projected are confused with political engagement. The prerequisite to being a liberal cosmopolitan is a bank account with enough assets to be able to access and purchase different cultures. The much lauded transnational connections fostered by European integrations have been, for example, limited to the middle and upper classes of the European populaces.[5] Cultural diffusion has an inherently class character. If one is poor, one is shackled into spatial prisons. Capital exerts constraints upon the agency of the poor in all aspects of life with culture no less affected.

In a strict repetition of the worst of 17th-19th century colonial epistemology, there is the Self who can move freely and the Other who is fixed into place. A strong example in recent art is the works of Nikki Lee. She, not incidentally a Korean-American, takes photographs of herself within different aspects of Americana. She takes on (ironically, of course) blackface, brownface (posing as a Latina), and even goes into whiteface as the wife of poor white working class “trash”. She goes everywhere. They go nowhere. It is not only at multicultural festivals that liberal tourism takes place. Modern imperialism distastes territorial aggrandizement but operates by locking up “ungoverned spaces” (see: the poor).[6]

And yet, it is not just a process of bordering. Indeed, liberal tolerance loves to experience other cultures and fetishizes “cultural diffusion” to its most inane heights. Hence, even as borders are respected as the unknowable “abyss of the Other,” the undeniable desire to perforate them exists. We must know what is behind the veil, we must understand the secrets of the Tao. Modern liberals are smarter than Adela Quested, they know they can never truly connect. However, the subsequent interactions are often more superficial than the earlier, more naïve encounters. The dialectic between territorialization and deterritorialization which has marked the history of capitalism reproduces itself on the cultural plane.

Slavoj Zizek explains liberal racism as a result of envy. Racism is the clash of fantasies that are defenses against the desire of the Other. One believes others have found the “secret”—the ability to experience joy beyond the impasses of lack and repression (jouissance). On the other hand, one is also afraid that the Other wants to steal our jouissance and rob one’s self of one’s own fantasy. Liberal racism or, what he calls “postmodern racism,” never says others are inferior, merely different.[7]

Zizek’s interpretation provides much of the psychological framework to understand liberal racism. In this respect, his work is critical to understanding the inconsistencies within fantasies that lead to liberalism’s impasses. However, his psychoanalytic arguments should be grounded in political economy. The perverse desire to constantly know and experience others’ desire while trying to hoard and protect one’s own desire is nothing other than the capitalist logic of accumulation for accumulation’s sake- the ceaseless desire to extract more and more surplus-value from everywhere and anywhere. The above-mentioned superficiality in contact is no mistake since commodity-exchange must be superficial in order to be perpetuated. Culture in the era of spectacle is immensely profitable since it has instant turnover time for capital. The rise of “cultural sensitivity” became hegemonic at the exact same time that lifestyle became an organizing principle of marketing. At the end of the road, liberals have condemned their objects of pity either into perpetual victimhood sans agency or the purgatory of market relations where, unlike being hacked to death, one’s victimization is one’s own fault.

The current use of tolerance as ideology emerges out of the defeat of the global social movements of the 1960s and 1970s. Those movements brought issues of culture and its expression to the forefront over class inequity, the unequal distribution of both resources and right under the law. Different identities protested against the stultifying bureaucracy of state-centric capitalism. However, the militants’ excessive focus on spontaneity and liberated desires meant no organizational structure could be built.[8] As a result, they were primed to have the proverbial rug pulled out from under them. French Maoists became NATO’s cheerleaders, guerilla warfare became guerilla marketing, and women’s and queer rights became imperialist apologia.[9]

Liberal tolerance critically bears a class dimension. Whereas it originated as a means to speak of oppression as such, its modern usage is one of the key ways in which modern liberals get to mock the working class, immigrants, and racial minorities for their racism/homophobia/sexism/lack of ecological conscience—only pausing to celebrate the hollowed-out and fetishized corpses of Martin Luther King and Cesar Chavez. Instead of looking to economic and social structures which generate inequalities, liberal cosmopolitans congratulate themselves on their openness to everyone as they pass the fly-over states from Los Angeles to New York to attend art exhibitions or to make business deals. We voted No on Prop 8, Yes on Barack Obama, and Yes on Planned Parenthood. So leave us alone and stop talking about capitalism.

Much of the rhetoric surrounding the latest round of imperial violence and capitalist accumulation has come through the exploitation of the rights rhetoric of a co-opted Left. Israel claims to be a scion of LGBT rights with Birthright even providing “queer-friendly” tours of Israel. The Republican Party which fiercely opposes women’s rights within the US champions it abroad. The US defends Iranian Baha’I, but tolerates SB1070 in its own borders. Mainstream progressivism is utterly complicit in the further marginalization of communities they claim to support. The large percentage of the black vote against gay marriage has not been used as a moment to reflect upon intercommunity tensions. Instead of looking at the tensions between two communities, it is an excuse to mock with smug tolerance those who themselves fail to be tolerant—a key act of displacement to exonerate society from its own guilty conscience. In each case, the defense of victims is war against the oppressed by other means. It is not direct repression, but splitting oppressed groups who share similar abjection within society. Conspicuously absent is any notion that the oppressed might have political agency.

The Left has its own mirror-image of liberal tolerance when it speaks of culture and the crimes of the Other. It excessively uses the term “solidarity” but uses it as a moral, not political category. In a Rousseauian manner, solidarity emerges from the shared experience of suffering and not, as the old worker’s movement and Marxism stated, from shared historical agency. Its most distilled expression comes in the various “narratives of the oppressed” which are taken as political categories in-themselves. Such narratives are important insofar as concepts and action can only be determined from concrete conditions and experiences, but they cannot be the central object of political struggle. Otherwise, one gets liberal sensitivity with its “anti-imperial twist”- Wow, you’re so oppressed! Those multinational bastards! My God, I feel so terrible about my identity as a Westerner, I’ll try the best I can to not act like one.

It places the Left into a defensive position in which one goes from problem to problem without a central organizing tendency. Instead of a positive program for a just world, one which proposes a new world or Idea against the dominant state of things, it meekly seeks to protect victims. The hijab debate provides the best contemporary example of the Left’s problem. One should oppose every attempt at criminalization as French racism in the name of crude feminism. A group of powerful white men and women lecturing a vulnerable persecuted minority on how they should act does not constitute an act of liberation. The critique of religion was and should always be tied to the critique of oppression and not to the majority’s desire to persecute the minority. However, one should not take defense against Islamophobia as an excuse to inure Islam from criticism carte-blanche. Foucault’s notion that the experience of sexuality was a free choice applies both to the decision to wear the hijab as well as to the forced imposition of “sexual liberation.” The recognition of the contradiction is the only way to non-hypocritically reject both Sarkozy and Khameini as two faces of political reaction.

The tentative standpoint in which to reject the false antagonisms presented to us would ground the Left in a notion of universality. There has been much theorizing surrounding the concept in recent thought trying to use it as part of resurrecting the idea of revolution against the postmodern distrust of all grand projects of emancipation. I will, however, restrict myself to analyzing universality as a spatial concept. In terms of cultural plurality, universality would politicize all relations of culture even among the oppressed. All Palestinians suffer from occupation, and a united front should be maintained against the IDF, but this should not make us forget that there is a secular Left and a religious Right and the secular Left is better than the religious Right. A true resurrection of universality would respect singularities, but remain indifferent toward them in relation to politics. One should not defend the right to narrate, but the right to politics- the right to be a “privileged actor captured in a virtually grandiose fashion by the spotlight of History.”[10]

There are two spatial components- an orientation and a strategy. In the first case, the spatial orientation would be that of a diagonal. Universality is the diagonal which cuts across all particular struggles excavating what is the Same across infinite multiplicities.[11] The contrast would be with Hardt and Negri who propose an additive form of universality. In Commonwealth, they propose “revolutionary parallelism” in which every struggle exists in-itself, connected by shared feelings and shared enemies, but which cannot be abstracted out of them.[12] It leaves us schizophrenically putting out fires without the moment in which the Multitude becomes Prince. In this regard, the Soviet Union of the 1920s, teaches a lesson. It was not “class reductionist” as many have inaccurately charged. It was the first “Affirmative Action Empire” that respected the self-determination of its constituent nationalities even to the point of respecting the right to secede.[13] It legalized homosexuality, abortion, eased divorce laws, and instituted a Department for Women’s Affairs to overcome patriarchal relations. It was, however, recognized that all such struggles would inevitably reach impasses without the element which overdetermines other particularities which is the element of class struggle. It is not that every struggle is, in the end, a class struggle, but every struggle must at some point become a class struggle in order to be won decisively.

Outside Europe, the best and the worst of decolonization recognized this form of universality. It was the communist partisans in Malaysia and Vietnam or militants such as Guevara which spoke of anti-imperialism not in terms of liberating an identity but the positive creation of a new world. It was the reactionary decolonizations found in the Middle East, in key segments of Quit India, or even the Zionist movement against European anti-Semitism which spoke endlessly of national pride, victimization, and which replicated imperial practices writ large.

The other aspect of universality’s spatial quality would also help to overcome one of the biggest problems facing the Left in the era of neoliberalism. The Left is well-situated to struggle in a specific place, but weak at articulating a multi-scalar politics which integrates place to the urban, to the regional, to the state, and to the global in a coherent approach.[14] Global capitalism, especially given the velocity of financial markets and the rapid ability to move factors of production, can devastate any victories the Left might win in a given area. Only a politics which can articulate itself on multiple levels can ever hope to hold out. The bugaboo of the contemporary anti-globalization movement is precisely in its understanding of contemporary capitalism as a deterritorialized space. The notion of Empire as a center-less network which has annihilated space is naïve to the very real borders existent. As such, fine-grained analysis of different scales is reduced to a Deleuzian sublime. The anti-globalization multitude is indeed a “swarm” running from protest to protest afraid that any attempt to move beyond the immediacy of a given group’s struggles constitutes “nondemocratic practice” or “a repetition of the old Jacobin-Leninist paradigm.”

One of the lessons to be learned from Leninism was that it provided, at the turn of the century, a solution to the problem of scale. There was the place (the soviet), the urban (the industrial cities of the North), the regional (the proletarian North and the soldiers in the South), the state, and the global. Lenin’s criticism of spontaneity can be read, in this sense, as a critique of non-scalar politics. If all there was were the spontaneity of strikes, then the result could only be equilibrium between class forces. If demands were made upon the State without active power within it, one could only hope for a bourgeois-democratic revolution. Finally, unless the revolution saw itself globally, it would never survive. The relative irrelevance of the Chiapas beyond its symbolic value testifies to the inability of seizing one space to produce and overarching progressive outcome.

The Second Arab Revolt is the contemporary example of a movement which is and was able to reach out across spatial limitations in a manner which did not just reduce the entire area into an inchoate space. There had been, for years, struggles within the constituent countries of the Middle East. They were, however, localized resistances which could not produce a sustainable progressive vision across borders. There was nothing that instilled, in Kant’s phrase, popular enthusiasm. One key aspect of the successes of the revolutions is precisely that it could look outside its borders for support. The progression over the past few months has been, in part, a spatial progression. There is the most particular space- the Tunisian street shop which was closed. Then, there was the country, Tunisia, embroiled in turmoil for weeks before the media reported it. Then, there was Egypt in which the entire country and region became concentrated at a singular point- Tahrir Square.

One should not be afraid to say there is a universal humanity. Signs in Arabic which laud the Egyptian uprising in Madison, Wisconsin and, in turn, Egyptian trade unions’ solidarity with Wisconsin workers are not the interactions between two lifeworlds. It is the recognition that, beyond all surface appearance, there is shared struggle against the universality known as capitalism. Universal humanity is nothing other than the collective struggle against the universal barbarism of the present.

 


[1] “Female Genital Mutilation- UK.” The Guardian. 1 8 2010. <http://www.youtube.com/watch?v=y0NuCMKaRpY>

[2] John Locke, A Letter Concerning Toleration, 1689 <http://www.constitution.org/jl/tolerati.htm>

[3] Kant makes his case against imperialism here: “But to this perfection compare the inhospitable actions of the civilized and especially of the commercial states of our part of the world. The injustice which they show to lands and peoples they visit (which is equivalent to conquering them) is carried by them to terrifying lengths. America, the lands inhabited by the Negro, the Spice Islands, the Cape, etc., were at the time of their discovery considered by these civilized intruders as lands without owners, for they counted the inhabitants as nothing. In East India (Hindustan), under the pretense of establishing economic undertakings, they brought in foreign soldiers and used them to oppress the natives, excited widespread wars among the various states, spread famine, rebellion, perfidy, and the whole litany of evils which afflict mankind. China and Japan (Nippon), who have had experience with such guests, have wisely refused them entry, the former permitting their approach to their shores but not their entry, while the latter permit this approach to only one European people, the Dutch, but treat them like prisoners, not allowing them any communication with the inhabitants.” Immanuel Kant, Perpetual Peace, 1795 <http://www.mtholyoke.edu/acad/intrel/kant/kant1.htm>

[4] Rene Descartes, Discourse on The Method, 1637

[5] Perry Anderson, New Old World, London: Verso 2009.1

[6] The National Security Strategy for Counter-Terrorism, June 2011,

avail: http://www.whitehouse.gov/sites/default/files/counterterrorism_strategy.pdf

[7] Slavoj Zizek, “Multiculturalism or the Cultural Logic of Multinational Capitalism”, New Left Review 225,

Sept-Oct 1997

[8] Michael Scott Cristofferson, French Intellectuals Against the Left: The Anti-Totalitarian Moment of the 1970,

London: Berghan Books, 2004

[9] Luc Boltanski and Eve Chiapello, The New Spirit of Capitalism, London: Verso, 2002.

[10] Franz Fanon, Wretched of the Earth, New York: Grove Press, 2004 (1963), p. 2

[11] Alain Badiou, Ethics, London: Verso, 2002, p. 27

[12] Michael Hardt and Antonio Negri, Commonwealth, Cambridge: Harvard University Press, 2009

[13] Terry Martin, The Affirmative Action Empire: Nations and Nationalism in the Soviet Union, 1923-1939,

Ithica: Cornell University Press, 2001

Moshe Lewin, The Soviet Century, London: Verso, 2005

[14] Neil Brenner, The limits to scale? Methodological reflections on scalar structuration.”, Progress in Human Geography, 15, 4 (2001): 525-548, available on faculty website at <http://as.nyu.edu/object/neilbrenner.html>

Categories
Features Projects

CONTENTS #1: USERSHIP


 

The first issue of Contents is a contribution from Stephen Wright on “Usership.” For the past few years I’ve been fascinated by Stephen’s ideas about invisibility, use, and redundancy, all of which come into play in the writing below. In particular, I’ve wondered about the relationship between “the user” and “the worker” – on the one hand, the difference is one between playing the role of a consumer and that of a producer; but on the other hand, as users, our activity is producing value somewhere (websites, telecoms, IP holders). It’s understandable to be repulsed by the idea of the “user” because that’s exactly how the dot.com industry and its funders name us when they’re diagramming about how to monetize our activity. But, that’s why this contribution is important: it looks at our situation plainly and begins to ask how we should act in our position as users, what kinds of rights we should have, and then how these concepts might help us map our relationship to the commons. All of the texts are available somewhere on the Internet – each issue of Contents simply points to them. -SD

Stephen Wright

Stephen Wright is an art writer, independent researcher and curator and professor of art history and theory. A selection of his writings are available on the blog n.e.w.s. to which he is an active contributor, http://northeastwestsouth.net/node/56

 

Introduction

An AAAAARG Users Guide to Usership

What makes aaaaarg function? And beyond its functionality, what kind of relationality does aaaaarg at once require, engender and transform? How can its terms of engagement be simply but accurately named? The term that comes immediately to mind is: usership. Readership may describe our engagement with some book, author or set of readings, but not the relationship between aaaaarg and its… users. Participation — that loathsome term bantered about by the neoliberal ideologues of the mainstream artworld — may describe one aspect of the empathetic but anonymous community that has coalesced around aaaaarg, but completely fails to address why we use it, and how. Not as participants nor as mere readers, but as users. And though the collective noun “usership” remains dramatically undertheorized — indeed the word itself, though immediately understandable, has not been ratified by those indexes of expert culture called dictionaries — aaaaarg itself has, here and there in its vast, user-uploaded archive, contains some compelling resources to help better grasp the philosophical underpinnings of the concept and to unpack some of the implications of a politics of usership. Of course there is no “proper” way to use aaaaarg; usership is an inherently restive and unpredictable category, meaning that the word for alleged misuse is simply actual, factual use. A tremendous amount of latitude exists between existent infrastructures, services, rules and dispositives and the countless uses to which they are put. If one were to define the premises of an emancipated usership, it could be said that a kind of reflexive poaching supersedes faithfulness and obedience. These contents are proposed in that spirit, and hopefully, in sorting and repurposing the contents of aaaaarg around usership, usefully instantiating usership while taking a first stab at shoring up the concept.

Though aaaaarg is exemplary of a usological turn in contemporary culture, it is not alone; the past ten or fifteen years have witnessed the broad expansion of the notion of usership as a new category of political subjectivity. It’s not as if using is anything new — people have been using tools, languages and odd and sundry goods and services (not to mention mind-altering substances) since time immemorial. But the rise of 2.0 culture and user-generated content and value, as well as democratic polities whose legitimacy is founded on the ability of the governed to appropriate and use available political and economic instruments, has produced active “users” (not just rebels, prosumers or automatons) whose agency is exerted, paradoxically, exactly where it is expected.

Usership represents a radical challenge to at least three deeply entrenched conceptual institutions in contemporary society: spectatorship, expert culture, and ownership. That is, it challenges hegemonic assumptions of relationality in the aesthetic, the epistemic and the ontological realms. Modernist artistic conventions, premised on so-called disinterested spectatorship, dismiss usership (and use value, rights of usage) as inherently instrumental — and the mainstream artworld’s physical and conceptual architecture is entirely unprepared to even speak of usership, even as ever more contemporary artistic practices imply a different regime of engagement than that described by spectatorship: a regime at once more extensive and more intensive. Usership represents a still more deep-seated challenge to ownership in an economy where surplus-value extraction is increasingly based on use: how long will communities of usership sit idly by as their user-generated value is privatized? In the artworld and other lifeworlds, it is expert culture — whether it be the publishing industry, or the city hall’s design office — which is most hostile to usership: from the perspective of expertise, use is invariably misuse. But from the perspective of users, everywhere, so-called misuse is simply… use. None of which is to deny that usership is a something of a double-edged sword — which is precisely what makes it interesting to consider. The challenge would seem to be to imagine a non-instrumental, emancipated form of usership.

There’s not much theoretical work on usership per se, and though it’s probably high time to fill that gap, it is also easy to understand what explains that lack: usership always plays itself out in occupied territory. Usership names a mode of groundshare, a reappropriation of a territory that will never be all its own. Usership never plays out on home ice, but is inherently on the road, challenging not merely home advantage but reinterpreting the rules of the game. For this reason, it can only be observed at play on familiar yet foreign conceptual territories, such as those of spectatorship, expert culture, and ownership — some of the most abundantly theorized institutions in our society.

Ludwig Wittgenstein
Philosophical Investigations
Wittgenstein’s second major philosophical work on language, mind, meaning and philosophy, published in 1953 after his death. Wittgenstein here puts forth his theory of user-based meaning. With disarmingly simple logic, he argued that words, propositions, languages at large have no “true” meaning independent of the way speakers use them, outside the pragmatics of common use.

Michel Foucault
Essential Works of Foucault 1954-1984 Volume 3: Power
Book —> Michel Foucault – Essential Works of Foucault 1954-1984 Volume 3: Power
“The Subject and Power” is Foucault’s key text on the politics of usership. In a way, usership shapes the focus, function and adressee of his later work: a theory of uses, a useful theory, intended for a community of users.
Michel Foucault
The History of Sexuality Volume 2: The Use of Pleasure
1.9 MB, OCR’d PDF, full book scan
In analysing the Greek understanding of “Chresis Aphrodision” — the “use of pleasure” — Foucault emphasizes the tremendous leeway in terms of how laws and customs regulating pleasures were followed — thereby defining the conceptual space of usership.
Mathieu Potte Bonneville
“Politique des usages: une boîte à outils pour la lutte des usagers”, in VACARME 29 “Michel Foucault 1984-2004”
Indispensable introduction to the concept and politics of usership in Foucault’s thought published in a special issue of Vacarme on Foucault
Giorgio Agamben
Profanations
it begins with the Genius
That which is sacred is removed from the realm of usership. As such, usership is premised on an act of profanation — returning to common usage that which had been separated into the sphere of the sacred.

Spectatorship and the usership challenge

To an even greater extent than objecthood or authorship, spectatorship continues to enjoy almost self-evident status in conventional discourse as a necessary component of any plausible artworld. The critical sermons of contemporary art are rife with celebration about free and active viewer participation. Yet is there not something almost pathetic about such claims at a time when ever more practitioners are deliberately impairing the coefficient of artistic visibility of their activity, challenging the very regime of visibility designated by the collective noun “spectatorship”? When art appears outside of the authorized performative framework, there is no reason that it should occur to those engaging with it to constitute themselves as spectators. Such practices seem to break with spectatorship altogether, to which they prefer the more extensive and inclusive notion of usership. Is the current mainstream focus on spectatorship – as a number of recent theoretical publications suggest – not merely a last-ditch effort to stave off a paradigm shift already underway in art? Why and when in the history of ideas did spectatorship – let alone disinterested spectatorship to use Emmanuel Kant’s paradoxical term – emerge as the linchpin institution of visual art? And above all, what alternative forms of usership of art are today being put forward to displace and replace it?

The end of spectatorship does not mean the end of public engagement with art. Spectatorship is an historically determined regime of engagement — it is not synonymous with seeing art, but rather a specific mode of looking. In recent years, there has been a spate of “invisible” art practices — it has become something of a fashion to elude immediate recognition by spectatorship. But this is not a challenge to the institution of spectatorship, but merely a game of now-you-see-me, now-you-don’t, played within the relational frame of spectatorship. Still, within our art-historical moment, these games may suggest deeper discontent; however, they have often described as “participation” — the artworld version of 2.0 culture: the value of the work (such as it is) in this case is produced by the unpaid, unnamed “participants”, while their surplus value (what they contributed to the work but did not get back) is extracted by the artist alone. Usership is an entirely different, and entirely more restive regime of artistic engagement. For a work to have use-value for a community of users it must not only have a finality other than spectacle, it must actually have a purpose and finality other than art.

AAAAARG.ORG is not something to look at, nor some convoluted portrait of its instigator and still less of its community of users, but at once a massive and working online archive and a proposition of a massive and working online archive. In philosophical terms, a user-driven project of this kind has a double ontological status: it is both what it is and a perfectly redundant proposition of that same thing. Redundancy is usually considered to be depreciative, a term used to discredit something – be it an activity, phenomenon, device, or utterance – whose function is already fulfilled by something else. But given the number of practices adopting a logic of redundancy today, it may well be emerging as the single-most useful focusing tool in understanding the dynamics of forward-looking art today. These practices, however, though they refuse to embrace existent conventions, do not – as so many vanguard practices of the past century did – engage in a frontally antagonistic relationship with mainstream institutions and practices. On the contrary – and this is where redundancy comes into the equation in an invisible but powerfully tangible way – they do indistinguishably what is already being perfectly well done in other realms of human activity, yet they do it with an entirely different self-understanding. Redundancy is perhaps the single best concept to describe non-mimetic, or post-mimetic art that is deliberately and perfectly redundant with respect to what it also is. One could always say that a Rembrandt was both a picture and an ironing board (to quote an example chosen by Marcel Duchamp to instantiate what he brilliantly called the “reciprocal readymade,” no doubt because ironing is so ironic). However, redundancy in this sense inverses the primary-secondary logic: it is first of all an engineered system, an online archive or anything at all, and only in an accessory way a proposition of an engineered system, online archive or whatever the case may be. Whereas art used to dream of becoming non art, it now appears to have increasingly opted for a caustic form of calculated redundancy.

Jacques Rancière
The Emancipated Spectator (full text, London: Verso, 2009)
“It is in the power of associating and dissociating that the emancipation of the spectator consists…” The argument, indeed the book, is elegant, powerful but odd. It reads better if one replaces “spectator” with “user”… Rancière vs Rancière…
Friedrich Nietzsche
On the Genealogy of Morality
Cambridge translation of Nietzsche’s ‘On the Genealogy of Morality’
As Nietzsche points out, it was Kant who first introduced the ‘spectatorship’ — or what he paradoxically called ‘disinterested spectatorship’ into aesthetics. See essay III, 6.
Immanuel Kant
Critique of Judgment (Oxford 2007, Walker’s update of Meredith trans)
3rd Critique – Walker’s revision of Meredith’s translation. Excellent pdf document with bookmarks – searchable.
To get to the root of the problem. Upon a close reading, it is remarkable to see the extent to which the conceptual architecture of contemporary art conventions of display is derived from Kantian premises.
James Kirwan
An interesting reading of Kant’s “pre-Wittgensteinian” attempt to bolster up disinterested spectatorship by language-use arguements: “you can’t say ‘beautiful for me’…”
Michele White
The Body and the Screen. Theories of Internet Spectatorship
The Body and the Screen: Theories of Internet Spectatorship
An telling case of what can happen when “spectatorship” is conflated with any form of seeing — a common but disastrous error in the age of 2.0 and post-spectatorship.
Claire Bishop
Participation
Introduction to collection of writings
There has been a great deal of talk of “participation” in art practice recently, to describe practices breaking with the spectatorship paradigm, while carefully avoiding the unwashed category of usership. Limp, but instructitive.

Expert culture and the usership challenge

As a collective noun, “usership” names not merely a paradoxical but a dialectical relational category. This is what makes it so uncomfortable for many, and why talking about the politics of usership invariably draws contestation. Because usership is a double-edged sword, whose immanence to the merely existent (users use what is, rather than proposing something else, yet through that use, which is also misuse and abuse, transform the very terms of engagement) is at once its immeasurable strength and its inherent stumbling block. Is it possible in a general way to tease out the dialectics of use? By dialectics, here, one would refer to the play between the two opposing but inseparable faces of usership: emancipated and encumbered, one the one hand offering a way out of the impasses of spectatorship-ownership-expertise, yet on the other hand constantly prey to the pitfalls of self interest and prosumerism.

Because usership is not a form of counter-expertise, it stands in a hostile but asymmetrical relationship to expert culture. Users are consistently dismissed by expert culture that discredits their claims as contaminated by self interest. Take the experts of State. Anxious to uphold their regime of exception with respect to the market-driven private sector, public-sector experts are quick to point out that they serve users, rather than customers or clients; and on the other hand, they are the first to again uphold their exceptional status by stigmatizing users (or consumer advocacy groups) as the Trojan Horse of this same market-driven logic… But the person who takes such and such a bus line every morning at dawn to get to work knows something about that line which no urban planning expert, whose perspective is informed by countless disinterested “studies”, can simply never know. This cognitive privilege is user specific. As such, usership at once designates the site where individuals and their comportments and needs are expected, where a space is available for their agency, both defining and circumscribing it; and it refers to the way in which these same users surge up and barge into a universe, which, though accustomed to managing their existence, finds itself thrown off balance by their speaking out as users. In other words – and this is related to Foucault’s theory of political action – it is not as if users burst forth in places where they are not expected, but rather the very immediacy of their presence that is ambivalent, and cannot be reduced to a progressive recognition nor to a mere cooptation by the powers that be. Governance, control, disciplines of all kinds, necessarily produce usership comprised of users and not just rebels or automatons submissive to an exterior norm. Users take on those instances of power closest to them. And in addition to this proximity, or because of it, they do not envisage that the solution to their problem could lie in any sort of future to which the present might or ought to be subordinated (very different in this respect to any revolutionary horizon). They have neither the time to be revolutionary – because things have to change – nor the patience to be reformists, because things have to stop. The radical pragmatism of usership struggles then have this specificity that they renounce power in the name of power. “We are all governed, and as such in solidarity”: such is Foucault’s conception of usership as a model of political agency and action, setting aside both a horizon (in the name of the present alone) and sovereignty (that it, the ultimate identity that he saw between traditional resistance movements and the power which they contested and wanted to transcend).

Michel de Certeau
The Practice of Everyday Life
University of California Press, Berkeley.1984.
“Innumerable ways of playing and foiling the other’s game, that is, the space instituted by others, characterize the… activity of groups which, since they lack their own space, have to get along in a network of already established forces…” MdC
Mackenzie Wark
A Hacker Manifesto
Full Book VersionAs a modern-day, reflexive poacher, the user is often a hacker, in Wark’s expanded understanding of hackership.
Jonathan Hill
institution, creative user, reader, viewer
Refreshing to note how decomplexed architectural theory is with respect to usership, and how the centre of creative gravity has long since shifted from the authorial to the usological axis.
Jonathan Hill
Occupying Architecture – Between the Architect and the User
Interested in how Death of the Author can influence architecture
The very title, “Occupying Architecture,” reads like a definition of the usership challenge to expert culture.

Ownership and the usership challenge

Ownership describes a legal institution that codifies a relationship of exclusivity with respect to an object, or any property construed to be an object, in terms of rights and control. It is made up of complex sets of instruments of regulation and enforcement, and is such a mainstay of liberal ideology that it would virtually self-evident status in majority opinion were it not for… usership, which challenges its very conditions of possibility by insisting on use value and rights of use.

Though radicals have challenged ownership over the centuries, the perspective of usership is original in many respects and may have the potential to turn back the tide on the wholesale privatization of everything. Usership as a community of users has taken on particular importance in 2.0 culture, where inter-cerebral networks of online or offline users generate content, knowledge, affect and value of all kinds. When Google purchased YouTube, how did they calculate the price tag? Not based on the value of the hardware, nor even the software, but as it were on the basis of the user-wear (and tear). They calculated how many people had ever, even just once, used YouTube, and fixed a common price on each and every user — not that they thought all usage is equal, but because it was as a community of use that value had been generated. But this is not just a paradox, it is a scandal. Because none of those value-producing users received anything for the value they produced. Their user-generated surplus value was expropriated, in that case of mass collaboration and countless others. When in the 1970s Jean-Luc Godard quipped that television viewers ought to be paid to watch, it was assumed he was sarcastically commenting on the quality of broadcasting. Thirty-five years on, the remark appears premonitory: if usership generates value, it should be remunerated. If it produces surplus value, great — we may be witnessing the end of work as we know it. But that surplus value must be redistributed within the community that produced it, not foster capital accumulation for a rentier class of owners. Never before has ownership seemed more akin to theft, as Proudhon so flatly described it in 1840. And as ownership seeks to extend the regime of artificial scarcity to the commons of use, withdrawing from common use that which allows usership to produce value, it becomes increasingly mired in a contradiction which can only be its demise. Sooner, let us hope, rather than later.

Pierre-Joseph Proudhon
What Is Property?
(book) Pierre-Joseph Proudhon – What Is Property? (medium to low quality copy)
Never before has ownership seemed more akin to theft, as Proudhon so flatly described it in the nineteenth century.
Pierre-Joseph Proudhon
Qu’est ce que la propriété ?
The property prejudice…
On sait ce que c’est: c’est le vol. Et pourtant, Hadopi vient nous dire, avec une certaine force de l’évidence, que “le libre c’est le vol.”
Matteo Pasquinelli
PageRank is introduced as a diagram of “cognitive capitalism”, a machine to transform the common intellect into network value. One of the hardest-hitting, counter-intuitive essays on how surplus-value extraction in cognitive capitalism is linked to rentier capitalism and ownership to present day usages.
Maurizio Lazzarato
(essay) Maurizio Lazzarato – From Capital-Labour to Capital-Life
“Capture, both in creation and realization, is always a reciprocal seizure open to the unpredictable and infinite, because the ‘creator’ and the ‘user’ tend to merge.” ML
Clay Shirky
Gin, Television, and Social Surplus
Humorous talk on technology’s transformative power toward society
The redistribution of the “cognitive surplus” generated by usership is one of the most pressing issues of political economy today. Yet most users don’t even realize they are producing surplus value…
originally posted at http://aaaaarg.org/contents/usership

Categories
Communiqués

Brian Holmes: Art and the Paradoxical Citizen

To the Arts, Citizens: it’s a fantastic title. Hearing it, anyone who’s been involved in political activism will probably think: “At last we’re getting somewhere.” The idea that art is part of citizenship, that there is a democratic exercise of the arts within the framework of public life, and that this appeal to the citizen-artist can be supported by a major cultural institution, is about as progressive as you could get today. Especially since this is a direct echo of the French republican tradition, where the phrase, Aux armes citoyens, is nothing less than a call to rise up and institute democracy against tyranny – in other words, a call to revolution. The Portuguese know the meaning of this revolutionary call to arms from decisive historical events that are still in living memory. So one can imagine that the organizers of this exhibition did not take their title lightly.

The call to arts is a recognition that citizenship does not stop at the ballot box, that an expressive politics is essential to a democracy, and that in an era saturated with media and advertising, the aesthetic dimension has become a crucial field of social interaction. What’s more, this call to arts is an acknowledgement that censorship continues to exist in all societies and is often intensifying; that archaic values and beliefs raise a barrier to free expression even more powerful than the force of the law; and finally, that citizens’ day-to-day participation in the shaping of their own societies is as urgent an occupation today as at any time in the past, precisely because of the professionalization of politics and the tendency to treat any disruption of the norm as a security issue. All this assigns challenging roles to institutions that attempt to take up the call to arts. Among them is not only that of exhibiting politically engaged art to the public, but also of mediating the ensuing debates, sustaining the inevitable critiques and scandals, archiving the results and thereby helping to build a culture of democratic exchange, which is never easy to maintain and never flourishes without the people involved taking an individual stand, beyond all bureaucratic limits and guarantees. Quite a tall order – as though we were going to wake up and start living again.

Could anything like this dream be achieved in reality? Based on work carried out with a wide range of collaborators over the last decade, what I would like to outline in this short essay is a critical and constructive program that necessarily goes beyond any single exhibition. At a minimum, such a program would have to address the relations of art to financial capital, the issues of national identity and race in artistic representation, and finally, the question of citizenship itself as a frame for the individual’s involvement in society. The call to arts requires us to face certain paradoxes. But it is a chance to examine how democratic and egalitarian ideals can be expressed right now, in the world where we are actually living.

Forces of desire
In the developed and rapidly developing countries, the most impressive urban project of the last thirty years has been the redefinition of cities as competitive nodes in a global financial network. The aesthetic-economic phenomenon of iconic “starchitecture” – including a large number of luxurious new museums – has been the most obvious sign of this competition for visibility within the world hierarchy of cities. At the level of lived experience, the process translates into the gradual reclassification of decaying residential areas as consumption zones for the new professional and managerial classes, i.e. gentrification. Here, the role of artists as “urban pioneers” who brave the difficulties of life among minority and immigrant populations has been well documented since the 1980s – often via highly critical shows in the new museums of the financialized city centers. Yet despite some radical attempts to work with social movements, the failure of critical artists to achieve anything concrete on the level of urban planning demonstrates the trap of career paths dependent on the same flows of investment capital that have reshaped the cities, driving poorer inhabitants far away from the urban centers. In this story, the “call to arts” has mainly involved, not citizenship or democracy, but the valorization of urban real estate as a speculative commodity, leading directly to the current economic crisis.

The place of the arts within the gentrification process derives from their capacity to foster specific kinds of desire. Over the thirty-year period of financialized globalization, it has become obvious that certain forms of vanguard art – for example, the dadaist practice of visual montage, the  situationist theory of the construction of ambiances, and the pop-art embrace of exuberant exoticism – have been functionalized to fit the perceptual and expressive repertoire of a networked corporate culture. Just as  pictorial abstraction offered a visual vocabulary for the dominant forms of industrial capitalism in the Cold War period, so the recombinant signifiers and improvised performance practices of relational art have shown their adaptation to today’s computerized economy of images and signs. The homogenization of the urban landscape under the cover of glittering lights and exotic attractions poses a serious challenge to cultural and educational institutions, whose long-term capacities for the generation of alternative values are increasingly reduced by demands for budget-cutting and box-office type profitability – demands which can only be satisfied by the transformation of those institutions into leisure facilities and corporate innovation centers. However, it is now possible that the economic crisis and the diminishing appeal of kaleidoscopic urban experiences will offer new missions to public culture, if anyone is willing and able to invent them.

Fenced-in nations
Perhaps the greatest challenge to an egalitarian and radically democratic stance in art today comes from the resurgence of conservative electoral rhetorics based on national identity. This resurgent conservatism and outright racism grows in direct proportion to the destabilization of traditional customs and labor relations by the individual mobility and ethnic mixing that accompanies financially driven globalization. Threatened with joblessness, established citizens attack the migrants whose cheap manpower used to make their lives so easy. In the United States, major progress in the cultural integration of ethnic minorities was countered, from the late 1980s onward, by the outbreak of the neocon “culture wars.” Since then, the US has witnessed the construction of physical barriers as well as a network of electronic security systems along its 3000-kilometer border with Mexico. The situation is even worse in the European Union, whose member states have not had such long experience with  inbound immigration and have not been able to generate the political and cultural representation that can bolster the claims of recent arrivals to full citizenship. At this point, the political systems of all these democracies are prey to racist sloganeering, resulting in the intensification of repressive policing, the arbitrary denial or suspension of visas, outbreaks of violence at street level and increased legitimacy for the seemingly endless wars in the Middle East.

The important question is, to what extent can contemporary art institutions become effective sites of social integration, beyond the mere display of exotic signifiers? At least three pathways offer real possibilities. The first and still most common is the high-culture elaboration of motifs and cultural practices borrowed from the heritage and everyday experience of minority groups, which is exactly what modernist art did with European folk motifs in the early twentieth century. The second involves the collaboration of artists with neighborhood groups on activist campaigns for equal rights and protection from violence and discrimination – a kind of work which gives minority publics a direct stake in the institution. Unfortunately this remains rare in contemporary art because of a class bias that uses the criterion of aesthetic purity as a way to screen out most local participation. The third possibility is to support and display vanguard practices from non-Western countries as a way to explore world society and to encourage the complex process of cross-cultural interpretation. All these possibilities challenge the former concept of artistic institutions as the guardians of a national identity. And the most interesting thing about them is that they all point directly to the limits of current conceptions of citizenship.

Human ecology and progress
The fundamental political problem now facing the developed nations is that the values of citizenship are conceived exclusively in terms of economic growth. The only imaginable progress lies in rising profit margins and increasing levels of consumption. But the endless search for competitive advantage requires at least four things: an aggressive expansion of markets at the expense of other countries; a cheapening of labor either through automatization or recourse to a work force not subject to national standards; a predatory use of credit to extract savings from individuals and governments; and finally, a negligence of the human and ecological costs, which are treated as “externalities” and left off the account books of a social order that is regulated only by monetary accounts. Under these conditions, the “citizen” is redefined as an increasingly cheap worker (whose economic rights should continually be diminished) and as a voracious consumer (whose pockets must be filled with borrowed money). At the same time, the “non-citizen” is invited to work for even less than the most ill-paid sectors of the national population while simultaneously being reviled and declared illegal, so as to stave off demands for expensive social programs. Clearly these are the ingredients of not one but several disasters, all of which are at least partially underway: economic penury even within the developed nations; climate change for the entire world; generalized alienation manifesting itself as terrorism; and finally, outright war. The twenty-first century is likely to see a major crisis, different from those that marred the twentieth, but perhaps equally violent.

In this threatening configuration, the artistic sphere remains a place where philosophical inquiry, sociological analysis and radically egalitarian political concepts can be articulated with common forms of perception and intimate experiences of daily life. Yet such uses of art are rare, by comparison to the major role that aesthetic production has taken in the financialized economies. And they are paradoxical, compared to the reigning doxa or dogma of financial capitalism and consumer citizenship. To sustain the democratic potential of artistic invention will ultimately require a reworking of the very notion of progress, whether through the kind of fiery debate that attends upon scandalous transgression, or through the pleasure that comes with a generous exploration of diverging values. Art institutions, if they want to survive as something other than corporate design labs and pay-per-view leisure centers, will have to show larger numbers of people that they can serve as social sites for participation in the development of alternatives. Really, it’s no joke to associate the historical call to arms with a contemporary call to the arts. At stake is a new practice of what it means to be a citizen.