MACAO

On May 5th a group of “artists, curators, critics, guard room, graphic designers, performers, actors, dancers, musicians, writers, journalists, art teachers, students, and everybody who works in the field of art and culture” occupied the Galfa Tower (Torre Galfa) skyscraper in the heart of Milan, Italy. We have been in touch with members involved in the occupation and they will be sharing things here on OE in English in the coming weeks. Below please find their first press release.

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We are glad to declare the opening of MACAO, the new arts centre in Milan, a great experiment in building with a bottom up approach a space where to produce art and culture. A place where artists and citizens can gather together in order to invent a new system of rules for a common and participatory management which, in an autonomous way, will redefine time and priorities of their work and allow them to experiment new common languages.

We are artists, curators, critics, guard room, graphic designers, performers, actors, dancers, musicians, writers, journalists, art teachers, students, and everybody who works in the field of art and culture. We’ve been mobilizing for one year, meeting in assemblies where to discuss our situation as precarious workers in the fields of artistic production, entertainment, media, entertainment industry, festivals and the so-called economy of the event. A world increasingly hostage of the finance that exploits and absorbs the primary task of culture, which is being an economy of sharing.

We represent a large share of the workforce of this city that has always been an outpost of advanced service sector. We are the multitude of workers of the creative industries that too often has to submit to humiliating conditions to access income, with no protection and no coverage in terms of welfare and not even being considered as proper interlocutors for the current labor reform, all focused on the instrumental debate over the article 18. We were born precarious, we are the pulse of the future economy, and we will not continue to accommodate exploitation mechanisms and loss redistribution.

We open MACAO in order to let the culture strongly regain a piece of Milan, in response to a story that too often has seen the city ravaged by public procurement professionals, unscrupulous building permits, in a neo-liberal logic that has always humiliated the inhabitants and pursued a single goal: the profit of few excluding the many.

Since last spring, many citizens, artists and cultural workers have given life to new experiences through practices of occupation of public and private abandoned spaces. Such experiences are proving to last in time, by taking care of culture, territories, work, new forms of economy and new forms of collective intelligence. The artistic production must therefore be entirely rethought, we must take this time and this right in a serious and radical way, directly taking care of what is ours. Macao is this, a space for everyone, that must become an active laboratory where art, entertainment, culture, education and information workers are invited. Here artists, intellectuals, lawyers, constitutionalists, activists, writers, film makers, philosophers, economists, architects and urban planners, neighbourhood and city inhabitants should take the time to build a social, common and cooperative dimension.

We have a lot of work to do, we must transform these words into real practices, more and more constituent and effective, in order to build alternative models to those in which we live, and everything depends on us. We should not take anything for granted, producing competent inquiries, debates, analysis and confrontations concerning all the territories that produce inequality and expropriation of value, not to mention the new forms into which the capitalist ideology is disguising. We need to have joy and humour to transform this commitment into a human, collective and liberated moment. We should take care of this space so that it can host everyone. It is fundamental that in this space art and communication cease to be ends in themselves. On the opposite, they must explode and find their motivations in this fight, building new imaginaries and bringing into light the world that we see. Viva Macao and keep up the good work!

We fought alongside and within this network: Lavoratori dell’arte, Cinema Palazzo in Rome, Teatro Valle Occupato in Rome, Sale Docks in Venice, Teatro Coppola in Catania, L’Asilo della Creatività e della Conoscenza in Naples, and Teatro Garibaldi Aperto in Palermo.

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For more information, please visit their Facebook page where they have been posting updates and more.

 

Crabgrass

“Crabgrass is a free software made by the Riseup tech collective that provides secure tools for social organizing and group collaboration. It includes wikis, task files, file repositories and decision-making tools.”

via mashable.com

Off-the-Record

Off-the-Record” (OTR) software can be added to free open-source instant messaging platforms like Pidgin or Adium. On these platforms, you’re able to organize and manage different instant messaging accounts on one interface. When you then install OTR, your chats are encrypted and authenticated, so you can rest assured you’re talking to a friend.”

via mashable.com

CrowdVoice

CrowdVoice

“Similar to the social media aggregating service Storify, but with an activist bent, CrowdVoice spotlights all content on the web related to campaigns and protests. What’s different about it? Founder Esra’a al Shafei says “CrowdVoice is open and anyone is a contributor. For that reason, it ends up having much more diverse information from many more sources.”

If one online activist comes across a spare or one-sided post, he can easily supplement information. Furthermore, campaign participants can add anecdotes and first-hand experiences so that others can check in from afar.
CrowdVoice makes it easier for far-flung audiences to stay abreast of protests and demonstrations, but it also helps organizers coordinate and stay abreast of other activist movements.”

via mashable.com